Representation of social satire in "Parasite" (2019) film = Representasi satir di film "Parasite" (2019)

Ekawaty, Shindi (2021) Representation of social satire in "Parasite" (2019) film = Representasi satir di film "Parasite" (2019). Bachelor thesis, Universitas Pelita Harapan.

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Abstract

Throughout the development of communication technology that has a crucial role in today’s society, forms of media have been expanding worldwide. Specifically for South Korea with its advanced entertainment industry, mass productions of fictional stories that resonate with the targeted audience are displayed through mass communication media, such as films, as a tool to represent cultures. This research uses the qualitative approach. Data collection is carried out through documentation obtained from scenes in “Parasite” (2019) film, and literature analysis from articles, journals, books and other online sources. Data analysis is then conducted through the use of Roland Barthes’ semiotics theory and satire techniques. The result of this research provides the knowledge and understanding of social satire presented throughout the storyline of the film. The social reality of the stratified classes struggles in capitalist culture that exists in South Korea is indirectly critiqued by the director and screenwriter Bong Joon-ho, through the verbal and non-verbal cues portrayed¬ in such exaggerated, contrasting, and ironic ways. / Sepanjang perkembangan teknologi komunikasi yang memiliki peran penting dalam masyarakat saat ini, berbagai bentuk media telah bermunculan di seluruh dunia. Khususnya untuk Korea Selatan dengan industri hiburannya yang maju, produksi massal cerita fiksi yang beresonasi dengan khalayak sasarannya ditampilkan melalui media komunikasi massa, seperti film, sebagai salah satu alat untuk merepresentasikan budaya. Penelitian ini menggunakan pendekatan kualitatif. Pengumpulan data dilakukan melalui dokumentasi yang diperoleh dari adegan-adegan dalam film “Parasite” (2019), serta analisis pustaka dari berbagai artikel, jurnal, buku, dan sumber online lainnya. Analisis data kemudian dilakukan melalui penggunaan teori semiotika Roland Barthes dan teknik-teknik satir. Hasil penelitian ini memberikan pengetahuan dan pemahaman mengenai satir yang disajikan sepanjang jalur cerita film. Realita budaya perjuangan strata kelas sosial di sistem kapitalis yang ada di Korea Selatan, secara tidak langsung dikritik oleh sutradara dan penulis skenario Bong Joon-ho, melalui isyarat verbal dan non-verbal yang digambarkan dengan cara dilebih-lebihkan, kontras, dan ironis.

Item Type: Thesis (Bachelor)
Creators:
CreatorsNIMEmail
Ekawaty, ShindiNIM01041170109shindiekawatyy@gmail.com
Contributors:
ContributionContributorsNIDN/NIDKEmail
Thesis advisorSetijadi, Naniek NovijantiNIDN8853999950naniek.setijadi@gmail.com
Uncontrolled Keywords: representation; film; social satire; semiotics
Subjects: H Social Sciences > HM Sociology > HM 1201-1216 Communication
Divisions: University Subject > Current > Faculty/School - UPH Karawaci > Faculty of Social and Political Science > Communication Science
Current > Faculty/School - UPH Karawaci > Faculty of Social and Political Science > Communication Science
Depositing User: Shindi Ekawaty
Date Deposited: 09 Feb 2021 07:27
Last Modified: 09 Feb 2021 07:27
URI: http://repository.uph.edu/id/eprint/16436

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