Wiradian, Nadya (2022) Peran sutradara dalam film fiksi "Harum Melati" = Director's role in fiction film "Harum Melati". Bachelor thesis, Universitas Pelita Harapan.
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Abstract
Film dan narasi merupakan bentuk seni yang memiliki kemampuan untuk mempengaruhi
audiens, salah satunya adalah melalui emosi dan perasaan yang ditimbulkan, baik perasaan baik
yang positif ataupun buruk. Dalam tugas akhir ini dibahas mengenai teori, laporan dan
penerapan dari pembuatan film pendek "Harum Melati" dari sudut pandang penulis selaku
sutradara. Film "Harum Melati" berceritakan mengenai ironi dari kisah hidup seorang minoritas
gadis Tionghoa yang menghadapi dampak dari pergolakan politik yang mengambil latar waktu
pasca kemerdekaan Indonesia tahun 1946. Riset yang dilakukan dalam tahap pembuatan film
"Harum Melati" adalah wawancara, membaca buku, karya ilmiah dan artikel serta film yang
digunakan sebagai referensi visual. Proses perancangan film "Harum Melati" dibagi menjadi
beberapa tahap yaitu proses pra produksi, produksi dan pasca produksi. Melalui film "Harum
Melati" penulis berharap dapat merepresentasikan kaum minoritas Tionghoa dalam konteks
menjadi bagian dan saksi dari sejarah Indonesia zaman penjajahan Belanda serta mengingatkan
audiens untuk sadar tetap menjunjung kesatuan di dalam kesenjangan ekonomi dan jarak antar
ragam budaya yang ada di Indonesia. / Film and narrative are art forms that have the ability to influence audiences through the emotions
and feelings they evoke, both positive and negative feelings. This final project contains the
theory, report and application of the short film "Harum Melati" from the writer's point of view as
the director. The film "Harum Melati" tells about the irony of the life story of a minority Chinese
girl facing the impact of the political upheaval that took place in Indonesia’s post-independence
era in 1946. The research carried out in the making of the film "Harum Melati" included
interviews, reading books, scientific works and articles, as well as films used as visual
references. The process of designing the film "Harum Melati" is divided into several stages,
namely the pre-production, production and post-production processes. Through "Harum Melati"
the author hopes to represent the Chinese minority in the context of being witnesses and a part of
the history of Indonesia during the Dutch colonial, era as well as reminding the audience to
actively uphold unity in the midst of economic and cultural gap that exist in Indonesia.
Item Type: | Thesis (Bachelor) |
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Creators: | Creators NIM Email ORCID Wiradian, Nadya 01023170059 nadyawiradian2000@gmail.com UNSPECIFIED |
Contributors: | Contribution Contributors NIDN/NIDK Email Thesis advisor Anton, J. Baptista 0316036901 omahireng@gmail.com Thesis advisor Nawawi Putra, Rizky UNSPECIFIED guibron@gmail.com |
Uncontrolled Keywords: | dilema; kolonialisme; tionghoa; separatisme |
Subjects: | N Fine Arts > N Visual arts (General) For photography, see TR |
Divisions: | University Subject > Current > Faculty/School - UPH Karawaci > School of Design > Visual Communication Design Current > Faculty/School - UPH Karawaci > School of Design > Visual Communication Design |
Depositing User: | Nadya Thalita Wiradian |
Date Deposited: | 30 Jun 2022 02:34 |
Last Modified: | 30 Jun 2022 02:34 |
URI: | http://repository.uph.edu/id/eprint/48229 |