Osman, Farrell (2024) TINJAUAN PENGATURAN ROYALTI LAGU DALAM KAITANNYA DENGAN LARANGAN PENGGUNAAN LAGU MILIK DEWA 19. Bachelor thesis, Univeritas Pelita Harapan.
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Abstract
Intellectual property is a human advantage in creating works. In copyright, there
are economic rights of creators that can provide benefits for the commercial use
of creations. LMKN is a National Collective Management Institution that helps
creators manage royalties for creations. In the feud between Ahmad Dhani and
Elfonda Mekel or Once, it can be seen that the arguments regarding Article 9
and Article 23 paragraph (5) of Law 28/2014 concerning Copyright. Article 9
stipulates that the creator's permission is needed in the use of creations. Article
23 paragraph (5) also stipulates that the creator's permission is not needed on the
condition that royalties are paid to the creator through LMKN. There are also
personal problems between them because Once as the former vocalist of Dewa
19 but Once continued to perform Dewa 19 songs as a solo singer. Copyright is
born automatically with the declarative principle. Copyright is the exclusive
right of the creator to be able to include the creator's name, change the creation,
give permission, and receive moral rights and economic rights to his creation.
The moral rights of the creator are the creator's rights to be able to defend his
rights if there are changes to the creation by the user that can reduce the creator's
self-esteem. In the commercial use of creations, it is regulated in PP 56/2021
that everyone can use the creation commercially by paying compensation or
royalties to LMKN. Once has complied with existing regulations by paying
royalties to LMKN. Once in using Dewa 19's creation did not violate Dewa 19's
moral rights by not changing the creation that could reduce Ahmad Dhani's selfesteem. The next problem lies in the exclusive rights of the creator who can give
permission. With the existence of LMKN, there are limitations given to
exclusive rights. LMKN can give permission to users by fulfilling the creator's
economic rights, namely paying compensation or royalties to the creator. In
short, the creator of a song cannot prohibit someone from using his creation
commercially and users of the creation must respect the moral rights and
economic rights of the creator.
Kata kunci: Hak cipta, penggunaan
Item Type: | Thesis (Bachelor) |
---|---|
Creators: | Creators NIM Email ORCID Osman, Farrell NIM010051190105 farrellosman@gmail.com UNSPECIFIED |
Contributors: | Contribution Contributors NIDN/NIDK Email UNSPECIFIED Hosiana, Gultom NIDN316048103 hosiana.gultom@uph.edu |
Uncontrolled Keywords: | hak cipta; penggunaan secara komersial; larangan penggunaan lagu |
Subjects: | K Law > K Law (General) |
Divisions: | University Subject > Current > Faculty/School - UPH Karawaci > Faculty of Law > Law Current > Faculty/School - UPH Karawaci > Faculty of Law > Law |
Depositing User: | Magang Input |
Date Deposited: | 02 May 2025 06:28 |
Last Modified: | 02 May 2025 06:28 |
URI: | http://repository.uph.edu/id/eprint/68261 |