Glenaldo, Kezia (2025) Visualisasi album musik enneagram karya Sleeping At Last dalam bentuk lyrics booklet dan kemasan vinil = Visualization of the enneagram music album by Sleeping At Last in the form of lyrics booklet and vinyl packaging. Bachelor thesis, Universitas Pelita Harapan.
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Abstract
Perancangan desain visual untuk album vinil Enneagram oleh Sleeping At Last bertujuan untuk mengkomunikasikan emosi dan narasi dari setiap lagu menggunakan tipografi dan visual imagery. Album ini dipilih karena kedalaman lirik dan musiknya, serta konsep Enneagram itu sendiri yang memberikan ruang untuk mengeksplorasi tema-tema seperti self-discovery, vulnerability, dan transformation. Desain ini diwujudkan dalam kemasan vinil special edition berisikan lyrics booklet yang mencerminkan tema-tema inti album. Metode perancangan menggunakan teori hearing type oleh Frank Armstrong yang menghubungkan karakteristik musik seperti amplitudo, durasi, pitch, dan timbre dengan elemen tipografi. Teori semiotika Charles Sanders Peirce juga digunakan untuk menganalisis lirik lagu sebagai simbol, indeks, dan ikon yang berhubungan dengan tema masing-masing lagu. Proses perancangan mengikuti lima tahapan desain milik Landa yaitu orientation, analysis, conceptual design, design development, dan implementation. Hasilnya, desain album tidak hanya sebagai produk fisik, tetapi juga sebagai ruang refleksi yang memperkaya pengalaman pendengar dalam memahami emosi dan narasi yang terkandung dalam album ini. / The design for the Enneagram vinyl album by Sleeping At Last aims to communicate the emotions and narratives of each song through typography and visual imagery. The album was chosen for its profound lyrics and music, as well as the Enneagram concept, which offers a space to explore themes like self-discovery, vulnerability, and transformation. This design is presented in a special edition vinyl packaging that includes a lyrics booklet, reflecting the core themes of the album. The design process incorporates Frank Armstrong's hearing type theory, which connects music characteristics such as amplitude, duration, pitch, and timbre with typographic elements. Charles Sanders Peirce’s semiotic theory is also used to analyze the lyrics as s icons, indexes, and symbols related to each song’s themes. The design process follows the five stages of design by Landa: orientation, analysis, conceptual design, design development, and implementation. The result is a design that serves not only as a physical product but also as a space for reflection, enriching the listener’s experience in understanding the emotions and narrative within the album.
Item Type: | Thesis (Bachelor) |
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Creators: | Creators NIM Email ORCID Glenaldo, Kezia NIM01023210013 kglenaldo@gmail.com UNSPECIFIED |
Contributors: | Contribution Contributors NIDN/NIDK Email Thesis advisor Melini, Ellis NIDN0306068201 ellis.melini@uph.edu Thesis advisor Usman, Winoto NIDN9903001314 winoto.usman@lecturer.uph.edu |
Uncontrolled Keywords: | enneagram; album musik; tipografi; visual imagery; sleeping at last; enneagram; music album; typography; visual imagery; sleeping at last. |
Subjects: | N Fine Arts > N Visual arts (General) For photography, see TR |
Divisions: | University Subject > Current > Faculty/School - UPH Karawaci > School of Design > Visual Communication Design Current > Faculty/School - UPH Karawaci > School of Design > Visual Communication Design |
Depositing User: | KEZIA GLENALDO |
Date Deposited: | 09 Jun 2025 00:43 |
Last Modified: | 09 Jun 2025 00:44 |
URI: | http://repository.uph.edu/id/eprint/68583 |